Kinoeye:  The fornightly journal of film in the new Europe

Vol 2
Issue 6
18 March
2002

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Women in Polish film

Krystyna Janda The female face of
moral concern

Krystyna Janda interviewed

Janda was a pioneering actor in her depiction of women as active and assertive agents of moral enquiry. Andrew James Horton speaks to her.

Agnieszka Holland's Kobieta samotna (A Lonely Woman / A Woman on Her Own, 1981) Heroines, sex bombs, ordinary women
The depiction of women in film by Polish female directors

Women in Polish film are frequently reduced to a few stereotypes. Ma³gorzata Radkiewicz looks at how female directors portray female characters.

Dorota Kedzierzawska's Wrony (Crows, 1994) In the absence of love
The films of Dorota Kêdzierzawska

Using individual female protagonists and employing a distinctive visual and narrative style, Kêdzierzawska highlights broader social tragedies, as Monika Braid explains.

From the archives

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Victor Trivas's Der Nackte und der Satan (The Head, 1959) HORROR
The thousand ties to Dr Ood
Victor Trivas's
Der Nackte und der Satan
(The Head, 1959)

Art direction and pulp fiction merge in this story of a head grafted onto another's body. David Del Valle traces the history of brain transplants and living detatched heads.

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